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I will observe, however, that it's not every day (unless you live in New Orleans) that you get to see a ship crashing into a pier. The special effects sequences in the movie are first-rate, especially that one. I know some of the houses on shore were models and that all kinds of fancy techniques were used, but the progress of the ship, as it crushes piers and condos, restaurants and trucks and cars, looks surprisingly real.
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The captain is thrown overboard early in the film, after Geiger explains his grievance. (Seems like a waste, somehow, to go to the trouble of lodging your complaint with someone you immediately kill.) Then it's up to the hero and his girlfriend to save the day. Dafoe’s humorless performance as Geiger is so weird that the viewer yearns for the comparative sanity of the original madman in the first SPEED, played by Dennis Hopper. Newcomer to the series, Jason Patric, has the same cold manner of Keanu Reeves.
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Alex shoots at it from the boat with a speargun and reels himself in through the water. He climbs onto the plane, rescues Annie, and both escape from the plane on one of its floats, which falls onto the ocean. Geiger attempts to fly over the oil tanker, but the plane becomes impaled on the ship's foremast, causing both to explode. The tanker crew however are safe, having launched their lifeboat just in time, leaving Geiger to die in the ensuing explosion. Annie and Alex travel back to shore in the speed boat, and he gives her an engagement ring, asking her if she will "wear this for a while", and she accepts.
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Many interior scenes aboard the ship were shot on soundstages in the Greater Los Angeles Area. Mark Mancina returned to compose the film score, released as an album 13 years after the film's release. Eminent critic Roger Ebert defended the film, calling it a "truly rousing ocean liner adventure story". The film was also a box-office bomb, earning $164 million worldwide against a production budget as high as $160 million.
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Why do mad bombers always go to the trouble of supplying them? There's not much room inside the head of a golf club (even a wood), so why waste space on a digital read-out? I also chortled a few moments later, when the villain pulled out a piece of equipment labeled FIBER OPTIC CONVERTER in letters so large they could be read across the room. And I will long treasure a moment when a computer asks Geiger, "Time to initiate?'' and he types in, "Now.'' Is the movie fun? Especially when the desperate Bullock breaks into a ship's supply cabinet and finds a chainsaw, which I imagine all ships carry. And when pleasure boaters somehow fail to see a full-size runaway ocean liner until it is three feet from them.
This Keanu Reeves-less sequel is masked by its commitment to non-stop action and entertainment, that you're almost distracted from its shortcomings, of which there are many. This is probably as good a time as any to point out that Orson Welles scrounged for budgets all his life, yet studios routinely throw $110 million at crap like "Speed 2."
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Alex notices Geiger leaving the vault and holds him at gunpoint, but he escapes by closing the fire door in front of him. Using the ship's intercom, Geiger explains that he designed the ship's autopilot system, and is taking revenge against the cruise line after being fired when he contracted copper poisoning. Geiger again escapes from Alex by attaching a grenade to a door.
De Bont had the idea for the film after he had a recurring nightmare about a cruise ship crashing into an island. Speed star Keanu Reeves was initially supposed to reprise his role as Jack Traven for the sequel, but decided not to commit and was replaced by Patric before filming. The writers had to rework the script to accommodate the addition of a new character. Production took place aboard Seabourn Legend, the ship on which the film is set. The final scene, in which the ship crashes into the island of Saint Martin, cost almost a quarter of the budget, and set records as the largest and most expensive stunt ever filmed.
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And I was grateful to Jan De Bont, director of this film and the first one, for not overlooking such touches as The Dog Who Survives. In revenge, he electronically commandeers the line’s best ship, The Seaborn Legend, and steals a collection of the world’s finest diamonds which coincidentally happen to be on board. In the first movie, if the bus stopped, everyone would get killed. In this one, if the ocean liner doesn't stop, everyone will get killed.
Movies like this embrace goofiness with an almost sensual pleasure. To avoid collision with the oil tanker, Alex and Dante go into the ship's bilge and use the bow thrusters to turn it. The ship screeches down the side of the tanker, but manages to withstand the damage, and heads straight into a marina. It then crashes into a Saint Martin town and eventually stops. Alex jumps off, uses a speed boat, and pursues Geiger to a seaplane.
Speed 2 falls far short of its predecessor, thanks to laughable dialogue, thin characterization, unsurprisingly familiar plot devices, and action sequences that fail to generate any excitement. A disgruntled former employee hijacks the Seabourn Legend cruise liner. Insurmountable and daunting tasks awaits them on their perilous journey throughout the ship trying to fend off the hijacker and save the passengers. All of STARZ blockbuster movies, epic originals, and addictive series.
Yet, Bullock was able to establish a chemistry with Reeves and doesn’t with Patric. One character asks the couple if they are siblings, giving a clear indication that they aren’t a sizzling duo. In this outing, Bullock still carries the every woman appeal and humanity, but her wining is getting a little stale. It's not really worth sinking your time and money into. They truly ruined a whole franchise in just two movies...never seen something like this, can't even reboot it now... Willem Dafoe, though effective in nearly every villain role, is a bit overdone as a psychopath with a penchant for leech therapy.
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